Repertoire/Roles

A Midsummer Night’s Dream: Bottom
Fidelio: Rocco
Sonnambula: Rodolfo
Norma: Oroveso
Ariodante: Rei di Skozzia
Agrippina: Claudio
Radamisto: Farasmane
La Bohème: Colline
Bluebeard’s Castle: Bluebeard
Le Nozze di Figaro: Figaro
Don Giovanni: Leporello
Carmen: Zuniga
The Rake’s Progress: Nick Shadow
La Cenerentola: Alidoro
Salome: Jochanaan
Il Barbiere di Seviglia: Bartolo
Nabucco: Zaccaria
Rigoletto: Sparafucile
Lucia di Lammermoor: Raimondo

Salzburg Festival
Halle Staatsoper
Teatro Arriaga de Bilbao
Théâtre des Champs-Élysées
Grand Théâtre de Genève
Pacific Opera Victoria
Long Beach Opera

Orchestral

Handel: Messiah, Judas Maccabeus
Verdi: Requiem
Bach: St. John Passion,
St. Matthew Passion
Mozart: Requiem
Haydn: The Creation, Lord Nelson Mass
Shostakovich: Symphony 14
Brahms: German Requiem
Lully: Le Borgois Gentilhomme
Stravinsky: Oedipus Rex
Elgar: The Dream of Gerontius

Orchestras

Cleveland Orchestra
National Symphony
St. Paul Chamber Orchestra
San Diego Symphony
Kammerorchesterbasel 

Festivals

Tanglewood
Ravinia (USA)
Hong Kong Cultural Arts
San Juan Arts Festival
Halle Haendel Festspiel

 

Reviews

Bach

B-Minor Mass
New York Times


St. John Passion
New York Times (Parrott)


St. John Passion 
New York Times (Tritle)


St. Matthew Passion
New York Times (Jonathan Miller Production)


Biber and Steffani with Leonhardt
Boston Globe
New York Times

Britten

A Midsummer Night's Dream
New York Times

Handel

Handel in London and Rome
Seattle Post-Intelligencer


Israel in Egypt
Andante


Messiah
Dallas Morning News
Washington Post


Riccardo Primo
Mittledeutsche Zeitung

Haydn

The Creation
Albuquerque Journal
New Haven Register


In Concert at the Getty Museum
LA Weekly

Monteverdi

Il Combattimento
New York Times

New York Collegium

Pepys: Music, Muses and Musings
New York Sun

Purcell

Dido and Aeneas
Pittsburgh Post Gazette
Pittsburgh Tribune


On Tour with Rebel Bach's Heritage
LA Times
Mineapolis Star-Tribune
Monterey Herald